Beauty Film Released
American Beauty Photographer Mark Fisher
A Mark Fisher Film
A Well Blended Combination Of
New York Photographer Mark Fisher's
Images Of Wonderful Faces
An The Incredible Composition
Hoppipola By Sigur Ros
Shows A Craftsmanship
Mastering The Vehicle
Sound As Beauty To The Ear.
Hoppipola Is From The 2005 Release
‘takk…’, the fourth album from sigur rós, was released by emi records  on september 12.  written, performed and produced by the band (along  with co-producer ken thomas) at their studio in álafoss, iceland,  ‘takk…’ is the record to justify every amazing claim ever laid at this  exceptional band’s door.  
huge and intimate, orchestral and gossamer-light, rich layered and  essentially simple, ‘takk…’ is a work of a band operating at the very  top of their game.  it accomplishes what maybe they haven’t done since  they first appeared, which is to make high-flown ideas appear to be  straight ahead pop music, or, perhaps more accurately, invest pop music  with a sense of magic long since lost in the mists of time and  imagination (not that they sound anything like any music made back in  any mythical musical heyday). 
‘takk…’ seems to operate so far outside the confines of what else is  going on as to make comparison redundant. that the band were not going  to be held by any narrow categorisation was apparent from the off. that  they might be capable of creativity at this level of freedom and  imagination was more than any of us might ever have hoped for.  ‘takk…’  is an instant classic, and might well turn out to be sigur rós’s  masterpiece. 
“there is nothing clever about sigur rós and how we write songs, it’s  just mucking about really. it’s all very spontant (sic),” says the  band’s kjartan sveinsson, although most musicians could muck about for  millennia and never come up with anything approaching ‘takk…’.  
flowing through 65 minutes of 11 linked pieces, ‘takk…’ came together  relatively quickly (in sigur rós terms), with recording starting in  earnest last december and mixing finishing this june.  the running order  more or less wrote itself by the spring, with several additional songs  naturally falling by the wayside as the record took shape.  
the band deliberately put a halt to live performances two years ago,  to ensure anything they wrote towards the album would remain fresh in  their minds. as a result only two of the songs on ‘takk…’ have ever been  heard at shows (prior to the band’s current european jaunt), with the  remaining nine taking off in a multitude of new directions, only hinted  at by the band’s previous work.   ideas burst free in every direction, where before the band might have  worked through a concept to its utter conclusion (playing and developing  a song as slowly as possible – the origin of a thousand ‘glacial’  metaphors), they now burn through ideas with scant regard.  songs begin  in one time signature and end in another, having morphed beyond  recognition on their passage through.  a beautiful piano motif will be  bombed into submission by power chords, which in turn will succumb to a  heavenly string-led calm after the storm.  
that said, sigur rós can still take a breathtakingly long time to get  to the point. the see-sawing strings and distant piano of ‘mílanó’ are  like watching omar shariff appear on the horizon in lawrence of arabia,  while, the orchestration towards the end of ‘andvari’ changes almost  imperceptibly on its way towards its epiphany.  
elsewhere, ‘takk…’ is literally packed with music, so much so, that  you wonder how the band managed to keep the space, clarity and  separation in the sound.  the ascent of ‘svo hljótt’ is dizzying and  disorientating, while ‘glósóli’ features the crump of no fewer than  three bass drums, before taking us through the ceiling of the song with a  guitar that keeps climbing long after you think it must have reached  its zenith. 
‘takk…’ is, according to the band (with icelandic tongue firmly  placed in icelandic cheek), a “rock’n’roll record” – and it certainly is  on occasion played both loud and fast – but few of the clichés of the  genre come through sigur rós intact.  in fact, listening to ‘takk…’ it  is not images of rebellion or off-the-peg degradation that comes to  mind, but more a feeling of being washed clean by music. even when they  rock sigur rós provide a clear spot of, dare i say, sanctity, and, at  the end, of the record the prevailing feeling is one of peace. 
« takk...
Information From 
eighteen seconds before sunrise - official sigur rós website
http://www.sigur-ros.co.uk/
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