Patrick Nollet Portrait
• American Photographer Mark Fisher •
French Sculpture
Daylight Image
On A Cloudy Day In New York
Who Is French Sculpture Patrick Nollet
ART
Patrick Nollet: Body and Material
(Jean-Paul Monery, Chief Curator of the Museum of the Annunciation of St. Tropez)
It's always a pleasure to discover that, year by year, the evolution of the work of Patrick Nollet.
Party of figurative works of a great truth, he walked away, gradually, to more abstract creations in which the artist seeks not naturalism but attempts a psychological approach to its low personnages.Mettant the anthropomorphic representation, it creates forms that reflect the energy, strength, power, but also tension, oppression and anxiety. Man is the image of God he becomes Promethean naked man face to face with nature and himself, having to fight for, build, becoming simply human.
Nietszche, in the Birth of Tragedy, apolllinisme compares to the "art of the sculptor who has access to the truth than dream states that control the simple contour of her art." He opposes the Dionysian art or music, who is intoxicated "when all nature is moved by the desire." We find the idea that the sculptor is based on a precarious order constantly threatened by the forces of Dionysian outburst.
"The Apollonian Greek felt that his existence, all beauty and extent, was based on a mysterious foundation of knowledge that pain and the Dionysian in turn revealed to him (...) Apollo Dionysus can not live without."
Thereafter, and the later works of Patrick Nollet confirm human presence disappears somewhat from its creation to open davandage an organic sculpture, as if finally mature, the sculptor he is, can venture to a world of signs, symbols in which the universal question of the origin is reflected in the rounded and smooth, marked by a certain dreamlike midway between the egg and the female body.
For Patrick Nollet, there are now more difference between the human figures, trees and unspecified forms engendered by nature.Les each other form the sculptural mass that the artist begins to dig and open to find a balance between fullness and emptiness.
John Paul Monery.
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